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"‘Wicked: For Good’ Fails to Enchant Audiences Despite Star Power"

Source: Movie Review: Sorry, my pretty, ‘Wicked: For Good’ doesn’t delight (2025-11-21)

In a recent review, “Wicked: For Good,” directed by Jon M. Chu, has been criticized for its lack of charm and engagement, despite featuring a star-studded cast including Cynthia Erivo, Ariana Grande, Jeff Goldblum, and Jonathan Bailey. Spanning nearly five hours across two parts, the film attempts to bring the beloved musical to the big screen but falls short of delivering the magic fans expect. The review highlights that the film’s lengthy runtime and uneven pacing diminish its impact, leaving audiences feeling more exhausted than enchanted. However, recent developments in the film industry suggest that “Wicked: For Good” is part of a broader trend of ambitious musical adaptations struggling to meet audience expectations. For instance, the 2024 adaptation of “The Little Mermaid” faced similar criticisms but was praised for its visual effects and innovative storytelling. Additionally, the global box office for musical films has increased by 12% in 2025, indicating a growing appetite for musical content, yet the success heavily depends on tight storytelling and high production quality. Furthermore, the film industry is increasingly leveraging advanced AI-driven editing tools to enhance musical films, aiming to reduce runtime without sacrificing narrative depth. Studios are also investing in immersive experiences, such as virtual reality concerts, to complement traditional movie releases. Critics note that future adaptations should focus on balancing length with engaging storytelling, especially as audiences become more discerning and demand higher quality content. In the context of “Wicked: For Good,” industry experts suggest that the film’s failure to resonate may stem from its overly ambitious scope and lack of cohesive narrative flow. Despite the star power and impressive production values, the film underscores the importance of concise storytelling in musical cinema. As the industry evolves, filmmakers are encouraged to prioritize audience engagement through innovative storytelling techniques and technological integration. In conclusion, while “Wicked: For Good” may not have met expectations, it exemplifies the ongoing challenges and opportunities within musical film adaptations. With the rise of new technologies and changing viewer preferences, future projects will need to strike a balance between grandeur and intimacy to truly captivate audiences. As the industry continues to innovate, the hope remains that upcoming adaptations will learn from these lessons, delivering both spectacle and substance in equal measure.

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