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‘The Housemaid’ Set for $30M+ Opening: What You Need to Know

Source: ‘The Housemaid’ First Reactions — Tracking for Surprising $30M+ Opening (2025-11-27)

Sydney Sweeney’s New Thriller Sparks Excitement with Early Critics and Strong Tracking The upcoming film “The Housemaid,” directed by Paul Feig and starring Sydney Sweeney alongside Amanda Seyfried, is generating buzz ahead of its December 19 release. Early reactions from critics suggest the film is a fun, pulpy thriller, with internal tracking indicating a promising $30 million+ opening. Lionsgate’s confidence is evident, as they’ve lifted social media embargoes nearly a month before release, signaling strong marketing support. The film’s modest budget of $35 million positions it as a potential mid-budget hit, especially given the current competitive landscape. Recent industry trends show that mid-budget thrillers are increasingly rare but highly profitable when executed well, often outperforming blockbuster expectations. Additionally, Sweeney’s career is at a pivotal point; after a recent box office setback with “Christy,” she’s poised for a comeback with this project. The film’s success could also influence the future of mid-budget genre films, which are experiencing a renaissance due to shifting audience preferences and streaming platform investments. Moreover, the thriller genre continues to thrive globally, with recent hits like “Zootopia 2” and “Dune: Part Three” demonstrating the appetite for diverse storytelling. Industry analysts predict that “The Housemaid” could not only surpass initial expectations but also set a new standard for mid-budget thrillers in 2025, emphasizing the importance of strategic marketing, star power, and genre appeal. As the film approaches its release, anticipation is mounting among fans and critics alike, with many eager to see if it can deliver on its early promise and carve out a significant place in the holiday season box office. This film’s performance will likely influence studio strategies for similar projects in the coming years, highlighting a potential shift back toward mid-budget, high-concept thrillers that balance commercial appeal with creative storytelling.

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