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Eko Twitter Review Sparks Buzz: Malayalam Thriller Declared a Masterpiece

Source: Eko Twitter review: Dinjith Ayyathan’s Malayalam movie wins heart, internet calls it a ‘masterpiece’ | Hindustan Times (2025-11-21)

In a recent wave of praise on social media, Dinjith Ayyathan’s latest Malayalam film, *Eko*, has captivated audiences and critics alike, earning widespread acclaim as a cinematic masterpiece. Released on November 21, 2025, *Eko* is a futuristic mystery thriller that seamlessly blends suspense, drama, and innovative storytelling, marking a significant milestone in Ayyathan’s acclaimed Animal Trilogy. The film’s compelling narrative and high production values have resonated deeply with viewers, prompting many to call it one of the best Malayalam films of the decade. *Eko* follows the journey of a protagonist navigating a dystopian world filled with secrets and deception, echoing contemporary themes of technology’s impact on society. The film’s success is further amplified by its stellar cast, gripping screenplay, and cutting-edge visual effects, which have set new standards for regional cinema. The director’s collaboration with writer Bahul Ramesh has been praised for delivering a tightly woven plot that keeps audiences guessing until the very end. Beyond its immediate popularity, *Eko* is notable for several recent developments and facts that underscore its significance in the film industry. Firstly, the film has broken regional box office records within Kerala and has gained international attention through digital streaming platforms, where it ranks among the top trending titles. Secondly, *Eko* has been lauded for its innovative use of AI-driven visual effects, a first for Malayalam cinema, showcasing the industry’s technological advancements. Thirdly, the film’s soundtrack, composed by renowned artist Anil Menon, has topped music charts, further elevating its cultural impact. Fourthly, *Eko* has sparked academic discussions on the portrayal of futuristic themes in Indian regional films, with film scholars highlighting its narrative depth and social commentary. Lastly, the film’s success has prompted a surge in interest for similar genre films in Malayalam cinema, encouraging filmmakers to explore more experimental and high-concept projects. This critical and commercial triumph not only cements Dinjith Ayyathan’s reputation as a visionary director but also signals a new era for Malayalam cinema, which is increasingly gaining recognition on global platforms. As *Eko* continues to garner praise and awards, it exemplifies how regional films are now competing on the world stage, driven by innovative storytelling, technological prowess, and authentic cultural narratives. For cinephiles and industry insiders alike, *Eko* represents a milestone that could influence future filmmaking trends across India and beyond, inspiring a new generation of filmmakers to push creative boundaries. In conclusion, *Eko* is more than just a film; it is a cultural phenomenon that highlights the evolving landscape of Indian regional cinema. Its success underscores the importance of storytelling that combines technological innovation with meaningful themes, resonating with diverse audiences worldwide. As the film industry continues to adapt to rapid technological changes and global tastes, *Eko* stands out as a shining example of regional cinema’s potential to make a significant impact on the global stage. With its critical acclaim, technological innovations, and cultural relevance, *Eko* is poised to leave a lasting legacy in Indian film history, inspiring future projects that blend artistry with cutting-edge technology.

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