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Olivia Dean Blasts Ticketmaster and AEG Over Resale Prices

Source: Olivia Dean Slams Ticketmaster, AEG Over Resale Prices: “A Disgusting Service” (2025-11-22)

In a bold move, singer-songwriter Olivia Dean publicly criticized Ticketmaster and AEG for their resale practices, calling the service “disgusting” and against artists’ wishes. This outspoken stance highlights ongoing industry concerns about ticket scalping and pricing fairness. As of November 2025, the live entertainment sector faces increased scrutiny from artists, fans, and regulators over resale markups, with recent legislation in multiple countries aiming to curb exploitative practices. Olivia Dean’s comments resonate with a broader movement advocating for transparency and fairness in ticket sales, especially as digital platforms dominate the industry. Notably, the global ticketing market is projected to reach $45 billion by 2026, with a significant share attributed to resale activities. Recent efforts by governments include the UK’s introduction of the Ticketing and Resale Regulation Act, which mandates real-time resale price caps and enhanced consumer protections. Major artists like Taylor Swift and BTS have also spoken out against scalping, prompting Ticketmaster to implement new anti-scalping measures, including digital watermarking and verified resale platforms. Meanwhile, consumer advocacy groups are pushing for legislation requiring full disclosure of resale prices and commissions. Olivia Dean’s vocal criticism underscores a growing demand for industry reform, emphasizing artists’ rights and fair access for fans. As the debate intensifies, industry stakeholders are exploring innovative solutions such as blockchain-based ticketing and AI-driven price monitoring to combat scalping and ensure equitable access. This movement signals a pivotal shift toward more ethical practices in live entertainment, promising a future where fans and artists alike benefit from transparent and fair ticketing systems.

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