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Queen Guitar Legend Opens Door to Hologram Reunions and Mercury Comeback

Source: Guitar great open to hologram technology for potential ‘reunion’ of beloved band (2025-11-25)

Sir Brian May, legendary guitarist of Queen, has recently shifted his stance on hologram technology, expressing openness to using it for a potential reunion of the band’s original lineup, including the late Freddie Mercury and bassist John Deacon. This development marks a significant change from his previous skepticism, highlighting the rapid advancements in immersive entertainment. May envisions a future where holograms create a near-live experience, especially in venues like The Sphere in Las Vegas, offering fans a chance to relive Queen’s iconic performances as if they were happening today. Currently, May performs with Roger Taylor and Adam Lambert, incorporating Mercury’s videos into live shows, but he now sees holograms as a way to deepen the connection with fans and honor the band’s legacy. In recent years, hologram technology has evolved dramatically, with artists like ABBA and Tupac Shakur pioneering virtual performances that captivate audiences worldwide. The potential for Queen to leverage this technology could revolutionize live music, blending nostalgia with cutting-edge innovation. Experts predict that by 2026, hologram concerts could become a standard for legendary bands, offering unprecedented immersive experiences. Additionally, advancements in AI-driven virtual avatars could enable deceased artists to perform new material, creating a new revenue stream for music labels and artists’ estates. The technology also raises ethical questions about authenticity and the preservation of artistic integrity, prompting ongoing debates within the entertainment industry. Queen’s possible hologram reunion could also influence the broader music landscape, inspiring other bands to explore similar immersive experiences. The integration of augmented reality (AR) and virtual reality (VR) could further enhance these shows, allowing fans to interact with holograms in real-time or experience concerts from their homes. Moreover, the use of holograms could help preserve the band’s legacy for future generations, ensuring that Queen’s music remains alive and relevant despite the passing of its original members. As the technology becomes more accessible and affordable, smaller venues and independent artists might also adopt hologram performances, democratizing this innovative form of entertainment. While Roger Taylor remains cautious about hologram shows, citing concerns over authenticity and the emotional impact, the overall industry momentum suggests that hologram concerts will become more mainstream. The potential for a Queen hologram tour, possibly featuring a digitally resurrected Mercury, could set a precedent for how legacy acts engage with fans in the digital age. This evolution aligns with broader trends in entertainment, where immersive and interactive experiences are increasingly valued. As we approach 2026, the fusion of music, technology, and storytelling promises to redefine live performances, making them more dynamic, personalized, and unforgettable. In conclusion, Sir Brian May’s openness to hologram technology signals a new chapter for Queen and the music industry at large. With technological innovations rapidly advancing, the possibility of resurrecting legendary artists and creating immersive concert experiences is becoming a tangible reality. This shift not only honors the band’s storied history but also paves the way for future generations to experience classic performances in ways never before imagined. As hologram concerts gain popularity, they will likely become a vital part of the entertainment landscape, blending nostalgia with innovation and transforming how we connect with music and artists forever.

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